I will care for your music as if it were my own, but will always deliver your vision. Voting member of AES (Audio Engineering Society), NARAS (National Association of Recording Arts and Sciences), MPG (Music Producers Guild), & MPSE (Motion Picture Sound Editors)
#Tonko house moom software
Guest Audio Faculty at the world-renowned Banff Centre for the Arts (1999-2016)ĭeveloped and coded key analytical algorithms for Monogram Biosciences ETag Informer software used in biopharmaceutical research at GlaxoSmithKline, Pfizer, and LabCorp Three Golden Reel nominations for best Music Editing in a Feature Film Instrument programming for Peter Asher, Graham Nash, and Anna VissiĢ019 Golden Reel Award - Outstanding Achievement in Sound Editing - Special Venue Noise reduction & artifact removal for Lady Gaga, The San Francisco Symphony, and The Colorado Symphony Recording Engineer for the SF Jazz Collective’s “The Music of Stevie Wonder” record. Mixing Engineer for Michael Franti & Spearheads iconic “Stay Human” album. Lawrence String Quartet & Christos Hatzis The Awakening (EMI)īalance Engineer for the Tin Alley String Quartet's Haydn Opus 20 Quartets (Move Records)Ītmos Mixing for the San Francisco Symphony’s binaural release of Henry Brant’s “Ice Field” (SFS Media) Mixing & Digital Editing for John Adam's The Dharma at Big Sur (Nonesuch)īalance Engineer, Mixing, Digital Editing, & Mastering for The St. Producer, Digital Editing, Mixing, & Mastering for Elena Ruehr's Averno (Avie Records) Music Editor & Scoring Mixer for Tonko House's animated short Moom (composers: Zach Johnston & Matteo Roberts)īalance Engineer, Digital Editing, & Mastering for the Cypress String Quartet's Beethoven: The Complete Quartets (Avie Records) Scoring Mixer for The Aviator OST (composer: Howard Shore)
#Tonko house moom movie
Music Editor for Downton Abbey: The Movie (composer: John Lunn) Music Editor for Riverdance “The Animated Adventure” (composer Bill Whelan) Music Editor for Darkest Hour, Paddington 2, Bumblebee (composer: Dario Marianelli)
Scoring Engineer & Mixer for Korean feature 2009: Lost Memories - recorded in Moscow & mixed in Seoul (composer: Dong-Jun Lee) Scoring Mixer & Music Editor for Google’s Spotlight Stories Age of Sail VR animated short (composer: Scot Stafford)
Music Producer & Scoring Mixer for Webzen's Soul of the Ultimate Nation MMORPG (composer: Howard Shore) Supervising Music Editor for Sir Peter Jackson's Hobbit Trilogy & The Lord of the Rings: The Return of the King (composer: Howard Shore) My goal is always to be able to step back and be absorbed by recordings on an emotional level - to not be conscious of the speakers, the processing, the mixing, the microphones. Much like a performer my craft requires a lifetime of never-ending practice and improvement, as well as the need for the technique to become second nature so that I can focus on the music.
0 kommentar(er)
